Armchair by Eugène Printz

This armchair is a refined example of Eugène Printz’s approach to seating in the early 1940s, a period in which he sought to reconcile architectural rigor with a renewed neoclassical sensibility. Known for his close dialogue with artists and craftsmen, Printz conceived furniture not as isolated objects but as carefully balanced ensembles of structure, surface, and ornament. The chair is constructed in solid walnut, with a clear and legible framework. The legs are straight and slightly tapered, giving the piece a stable yet light stance. The armrests, gently curved and precisely jointed, extend naturally from the uprights, guiding the eye toward the backrest and reinforcing the continuity of the silhouette. The proportions are measured and restrained, characteristic of Printz’s mature work, where comfort is achieved through geometry rather than excess padding. The upholstery is particularly significant. The backrest and seat are covered with tapestry panels executed after a cartoon by Paul Gernez, one of the artists with whom Printz collaborated during this period. The floral composition unfolds vertically on the backrest, while subtler motifs animate the seat, creating a visual rhythm without overwhelming the structure. The tapestry introduces color and texture, softening the architectural lines of the wood and anchoring the chair within the decorative arts tradition. This armchair exemplifies the spirit of French decorative modernism, where furniture becomes a meeting point between fine art, craftsmanship, and functional design. It stands as a coherent and elegant object, expressive yet disciplined, fully representative of Eugène Printz’s contribution to twentieth-century French design.

Dimensions : H96 x W58 x D52 cm

Price : 4000 €

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